Four souls / Louise Erdrich.
Record details
- ISBN: 9780066209753 (acid-free paper)
- ISBN: 0066209757 (acid-free paper)
- Physical Description: 210 p. ; 22 cm. : ill. (text).
- Edition: 1st ed.
- Publisher: New York : HarperCollins Publishers, c2004.
Content descriptions
- General Note:
- Sequel to: Tracks.
Search for related items by subject
- Subject:
- Indigenous women > Crimes against > Fiction.
Identity (Psychology) > Fiction.
Ojibwe > Fiction.
Indigenous women > Fiction.
Laundresses > Fiction.
Land tenure > Fiction.
Rich people > Fiction.
Revenge > Fiction.
Indigenous peoples.
Minneapolis (Minn.) > Fiction.
North Dakota > Fiction. - Genre:
- Psychological fiction.
Available copies
- 6 of 6 copies available at BC Interlibrary Connect. (Show)
- 1 of 1 copy available at Nakusp Public Library.
Holds
- 0 current holds with 6 total copies.
Other Formats and Editions
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Nakusp Public Library | FIC ERD (Text) | 35160000373895 | Adult Fiction | Volume hold | Available | - |
- Booklist Reviews : Booklist Monthly Selections - # 2 April 2004
/*Starred Review*/ This small but incredibly rich chapter in Erdrich's ongoing Native American saga is a continuation of the story of the enigmatic Fleur Pillager, begun in Tracks (1988). Such are Erdrich's storytelling skills that even readers unfamiliar with that book will immediately be drawn into this novel. The decimation of Ojibwe land continues unabated, but the implacable Fleur has decided to exact revenge on one John James Mauser, who has built his wealth by acquiring Ojibwe land through underhanded tactics. She is hired on at his mansion as a laundress, but her plan suffers a setback when she learns that he is ill with a severe muscle disorder; she sets about curing him so that she can wreck him while he is in good condition, but in a bizarre twist, her relationship with Mauser takes a very different turn. Narrated in alternating chapters by aged and comical wise man Nanapush; his visionary, stubborn wife, Margaret; and Mauser's spinster sister-in-law, the novel holds as its central theme the process of transformation, as each character is drawn toward healing and love in the most astonishing fashion. Effortlessly moving between the sacred and the profane, between grotesquerie and transcendence, Erdrich continues to spin her unique and compelling fiction. ((Reviewed April 15, 2004)) Copyright 2004 Booklist Reviews. - BookPage Reviews : BookPage Reviews 2004 July
Avenging the loss of sacred groundA mesmerizing tale of revenge, retribution and forgiveness lies at the core of Louise Erdrich's latest work, Four Souls, in which she reprises characters from Love Medicine and The Beet Queen and returns to a cherished piece of land from Tracks. The story opens with the relentless trek of Fleur Pillager as she seeks revenge on John James Mauser, the man who tricked her into giving up the land where her ancestors had lived for centuries. Fleur follows him to Minneapolis, where he has used trees from that land to build an enormous house with beeswaxed mantels and carved paneling.
To bolster her resolve in carrying out her quest, Fleur takes on the secret name given to her mother, Four Souls. In chapters alternating with Fleur's present story, her past is recalled by Nanapush, her adoptive father, who recalls how Fleur's mother got that name, and why Fleur is now adopting it. Nanapush also serves as the vehicle for Erdrich's warm humor, as he regales the reader with the ups and downs of his relationship with Margaret, his wife.
When Fleur finds Mauser, she surprisingly finds herself pitying him for his physical afflictions; she marries him and bears him a son. But she never loses sight of her ultimate goal, even when an addiction to alcohol takes its toll. Erdrich deftly adds side plots while maintaining the underlying tension of what is behind Fleur's every move. When Fleur finally returns to the reservation, her son (deemed a "hopeless idiot" by some) in tow, the author sets a perfect scene for her last attempt to win back her precious acres.
Erdrich's forte is her ability to weave Ojibwe myths and traditions into her compelling narratives, creating many-faceted characters who seem to come alive before our eyes. Her latest novel continues in that tradition, and Fleur Pillager's saga is destined to become a classic. Copyright 2004 BookPage Reviews.
- BookPage Reviews : BookPage Reviews 2005 July
Four SoulsErdrich continues her critically acclaimed Ojibwe chronicles with this new installment in the series. Returning to the story of Fleur Pillager, the strong-willed, mysterious Ojibwe heroine she introduced in the 1988 novel Tracks, Erdrich offers up another lyrical tale of loyalty, revenge and kinship. Traveling to Minneapolis from her beloved North Dakota, Fleur is searching for the man who stole and then laid waste to her tribal land. She finds the person she is looking for—an invalid named John James Mauser—ensconced in a fancy mansion presided over by his haughty wife, Placide. Fleur takes a job in the house as a laundress in hopes of having the opportunity to murder Mauser. Instead, she seduces him. Later, Fleur gives birth to their autistic child and takes over the household. But in the end, she feels lonely and burdened and turns to alcohol to ease her wounds. Fleur eventually returns with her son to the reservation and stakes a final claim to her land. In classic Erdrich style, the novel is narrated in turn by various characters, including Nanapush, Fleur's grandfather and his wife, Margaret, and an Indian-hater named Polly Elizabeth, who is Mauser's sister-in-law. The book provides a fascinating look at Ojibwe customs and the inevitable clash of cultures that ensues as the Indians fight to keep their native traditions alive in a predominantly white world. Readers will welcome this return by Erdrich to familiar territory and unforgettable characters.
A reading group guide is available online at www.harpercollins.com. Copyright 2005 BookPage Reviews.
- Kirkus Reviews : Kirkus Reviews 2004 April #2
The loss of ancestral lands and the revivifying power of traditions shape the dialectic that informs the latest in Erdrich's expanding Ojibwe saga (The Master Butchers Singing Club, 2003, etc.).This taut ninth installment focuses on characters initially fully developed in her third novel, Tracks (1988): austere, semi-legendary "medicine woman" Fleur Pillager and aging tribal chairman and inveterate lover of women Gerry Nanapush. The story of Fleur's journey from her North Dakota reservation to Minneapolis, to seek revenge against prosperous land baron John James Mauser (the man who stole her land), and its bizarre aftermath are told by three narrators. Fleur's stoicism and steely resolve are vividly evoked by Gerry, in a long conversation with her estranged daughter Lulu. Her decision to ruin Mauser by first healing his mysterious illness, then marrying him is described by Mauser's spinster sister-in-law Polly Elizabeth, who becomes Fleur's employer, then her devoted nurse and companion . And, late in the story, the details of Fleur's return to the reservation and arduous re-connection with "her neglected spirits" are related by Gerry's strong-willed common-law-wife Margaret Kashpaw, who loves, tolerates, browbeats, and outwits the misbehaving Gerry, while patiently assembling from hunted and found natural materials the "medicine dress" whose magical powers may permit Fleur reentry into the world she had abandoned. Four Souls (the name passed on to Fleur by her supernaturally empowered grandmother) feels a bit hurried and at times awkwardly focused. We lose sight of Fleur for some time while Gerry recalls his rivalry with neighbor and mortal enemy Shesheeb (who has an eye for Margaret). But the tale's swiftness has a pleasing rhythm, and Erdrich's double plot does skillfully link Gerry's embattled relationship with Margaret to Fleur's purification through anger, alcoholism, and suffering-accomplished not just with Margaret's aid but with that of the retarded, "unnamed" son she bore her enemy.A welcome addition, then, to a uniquely enthralling and important American story.First serial to the New Yorker. Agent: Andrew Wylie/The Wylie Agency Copyright Kirkus 2004 Kirkus/BPI Communications.All rights reserved. - Library Journal Reviews : LJ Reviews 2004 March #2
Erdrich continues the saga of Fleur Pillager. Look for a New Yorker excerpt. Copyright 2004 Reed Business Information. - Library Journal Reviews : LJ Reviews 2004 May #2
Erdrich here returns to her fictional chronicle of modern Native American culture, as exemplified by generations of interrelated North Dakotans, picking up where she ended in Tracks (1988). Although it contains crossover characters and allusions to past events, this work may be read without consulting the earlier work. Taking place several years after World War I and narrated principally by tribal leader Nanapush and Polly Elizabeth, a white woman from the city, the plot focuses on beautiful Ojibwe mystic Fleur Pillager. Adopting the powerful secret name Four Souls, Fleur travels to the urban mansion of her people's great enemy, John Mauser, and plans his execution (first miraculously curing him of a wasting illness). But Fleur's control slips: her peculiar marriage to Mauser and a crippling addiction to alcohol put her on the road again, with a severely damaged son and just two possessions: a luxurious automobile and an exquisite suit. However, once she returns to Matchimanito's lakeshore, these are sufficient means for achieving a kind of triumph. Fleur's story, along with comic subplots involving the narrators, is marked by imagery both poetic and moving, if at times overwrought. Yet the beauty of Erdrich's writing compensates more than adequately for that minor flaw. Recommended for most collections. [Previewed in Prepub Alert, LJ 3/15/04.]-Starr E. Smith, Fairfax Cty. P.L., VA Copyright 2004 Reed Business Information. - Publishers Weekly Reviews : PW Reviews 2004 May #2
Fleur Pillager, one of Erdrich's most intriguing characters, embarks on a path of revenge in this continuation of the Ojibwe saga that began with Tracks. As a young woman, Fleur journeys from her native North Dakota to avenge the theft of her land. In Minneapolis, she locates the grand house of the thief: one John James Mauser, whom she plans to kill. But Fleur is patient and stealthy; she gets herself hired by Mauser's sister-in-law, Polly Elizabeth, as a laundress. Polly acts as the household manager, tending to the invalid Mauser as well as her sister, the flaky and frigid Placide. Fleur upends this domestic arrangement by ensnaring Mauser, who marries her in a desperate act of atonement. Revenge becomes complicated as Fleur herself suffers under its weight: she descends into alcoholism and gives birth to an autistic boy. In Erdrich's trademark style, chapters are narrated by alternating characters-in this case Polly Elizabeth, as well as Nanapush, the elderly man from Tracks, and his wife, Margaret. (Nanapush and Margaret's relationship, and the jealousies and revenge that ensue, play out as a parallel narrative.) More so than in other of Erdrich's books, this tale feels like an insider's experience: without the aid of jacket copy, new readers will have trouble feeling a sure sense of place and time. And Fleur herself-though fascinating-remains elusive. Nevertheless, the rich detail of Indian culture and community is engrossing, and Erdrich is deft (though never heavy-handed) in depicting the struggle to keep this culture alive in the face of North American "progress." The themes of fruitless revenge and redemption are strong here, especially when combined with the pull of her lyrical prose; Erdrich may not ensnare many new readers, but she will certainly satisfy her already significant audience. Agent, Andrew Wylie. (July 2) Copyright 2004 Reed Business Information.